Taking up Mark Fisher's idea that hauntology is the agency of the virtual, the sixth and final cluster of ARE YOU FOR REAL 2, Dead Futures: Figures, Hybrids, and Hauntology, forms an inquiry into history, conflict, and myth. The cluster gives voice to feminist thinking, forms of ancient storytelling that involve Indigenous knowledge, and science fiction. The artworks summon the specters of mythological and historical figures to digitally reimagine stories of resistance, revive traditions, and investigate conflict and colonization. What unites these works is the question of how specters of potential futures from the past influence discourse: how does hauntology, thus the non-existent, have real effects? If lost futures haunt the present, rediscovered knowledge may offer new perspectives.
From twentieth-century anti-fascist partisan Irma Bandiera and seventeenth-century artist Artemisia Gentileschi to spiritual encounters in Ecuador's Esmeraldas rainforest and tutelary goddesses linked to hydrology, the cluster evokes various modes of spectral causality. These are framed within Fisher's two manifestations of hauntology:
“That which is (in actuality) no longer, but which remains effective as a virtuality”—in other words, traumas and repetitions from the past that persist in shaping the present.
“A virtuality whose threatened coming was already playing a part in undermining the present state of things”—that is, futures foreclosed but still potent in reshaping thought and action.
Through poetic approaches and forensic methods, Dead Futures also explores digital portals and barriers, where the absence of imagery marks the "dark zones" of geofenced material and epistemic power—a digitally enforced blackout.
A planet devoid of a featured artwork circulates on the Dead Futures ubpage, a gesture of solidarity with artists facing censorship and persecution. It honors those who have withdrawn or refused to participate in ARE YOU FOR REAL Phase 2 in the current context around the ongoing wars, symbolizing the resistance born from oppression of dissent.
Jerusalem is a city famous for its walls: the old city walls, the infamous separation wall. Yet less known is an invisible wall that encapsulates the old city and its surroundings to make a regulatory no-fly zone. Centred on the Temple Mount/Haram al-Sharif and approximately 3 kilometres in diameter, this no-fly zone is instantiated by a “geofence,” a digital barrier stretching from the ground up into the skies to prevent drone flights into or take-offs within the area. Terra ex Machina explores this pervasive restriction. Central to the video work is a 3D photogrammetric model, created using thousands of drone images taken along the geofence. The model reveals an urban ring surrounding a void – a stark visualization of missing data caused by the drone’s inability to penetrate the area. This dark zone is not merely an absence of imagery but a manifestation of the geofence's material and epistemic power: a digitally enforced blackout.
Alternative layers are juxtaposed with the drone’s point of view – highly detailed aerial images produced by residents using kite and balloon photography techniques that evade and circumvent the geofence. In contrast to the steady route of the circling drone, these grassroots aerial views evince the chaotic and unexpected routes of objects guided by wind and strings attached to people standing on the ground. In the visual and sonic choreography of Terra ex Machina, these contrasting views and instruments of vision show the aerial space to be an emerging territory of resistance and contestation.
Hagit Keysar is a researcher and activist based in Jerusalem. Her work is practice-based and examines the political potentials of open-source, DIY, and community-driven technological practices in spaces of conflict and colonization. She has been a research fellow at the Weizenbaum Institute for the Internet Society, Berlin, a postdoc of the Minerva Stiftung in Berlin's Natural History Museum, and a postdoc fellow at the Minerva Center for Human Rights, Tel Aviv University. She is a senior lecturer in Bezalel Academy of Art and Design, Jerusalem, and heads the masters program in visual communication.
Ariel Caine is a London-based, Jerusalem-born artist and researcher. His practice centers on the intersection of three-dimensional photography, modelling, and surveying technologies, and their operation in the production of cultural memories and national narratives. His work engages with collaborative imaging methods as part of civic acts of aesthetic political resistance under conditions of violence. Ariel is a lecturer at the UCL’s Department of Culture, Communication & Media and was previously a project coordinator and researcher at the Forensic Architecture agency at Goldsmiths University of London. With Kineret Lourie, in 2023 he founded Chemist Gallery in London.
The online version of La Visión del Monte reinterprets a mechatronic light sculpture that tells of spiritual encounters in the Esmeraldas rainforest in Ecuador. Based on interviews with his father and other inhabitants, Speiser collected stories of spirits that reflect the unique cultural landscape of a maroon society merging elements of African, Indigenous, and Spanish heritage. These narratives, preserved through generations, speak of entities like El Bambero and La Tunda, who are said to appear as protectors of the forest, blending into the natural world as luminous figures or tiny glowing pebbles.
In collaboration with artificial intelligence, Speiser created imagery using paper cut-outs and synchronized its movements with his father’s voice, inviting viewers into a landscape of light and shadow. The work echoes ancient storytelling traditions in which analogue movement is used to animate narratives, while integrating technologies like THREE.js (3D web development) and AI for a digital reimagination. By combining AI-generated visuals with shadow play, La Visión del Monte transcends the screen, evoking the intimacy of fireside storytelling. It explores the interconnectedness of humans and non-humans, prompting us to reconsider our ties to nature, technology, and spirituality.
Simon Speiser is a German-Ecuadorian artist who works with nature and technology across various media. Exploring themes of origins and the interplay between human and technological worlds, between virtual reality and ancestral folklore, and between sci-fi and non-Western conceptions of technology, Speiser takes up storytelling as a tool in the fight against dystopian thinking, creating immersive sensory experiences that highlight the resilience and adaptability of pre-colonial cultures.
Artist’s Statement*
Riparia takes viewers on a poetic journey along the Rhône, mixing hydrology with mythology. Employing photogrammetry and underwater sensors, Škarnulytė examines the river’s benthic and riparian zones to reveal the profound effects of human intervention. The film interweaves images of the river with representations of its tutelary goddesses, embodied as post-human creatures adorned with crystal masks and flowing, colorful tails. These enigmatic beings emphasize the precarious balance between human and non-human realms. Set at multiple locations across the Rhône in Switzerland, Riparia invites reflection on the fragile interplay between natural systems and human activity while extending Škarnulytė’s ongoing exploration of goddess and serpent motifs. Mythic forms blend with contemporary environmental concerns in a meditative cinematic experience.
Emilija Škarnulytė is a Lithuanian-born artist and filmmaker. Working between documentary and speculative fiction, her video works take viewers through decommissioned nuclear power plants, deep-sea data storage units, forgotten underwater cities, and uncanny natural phenomena. Škarnulytė makes films and immersive installations that explore deep time and invisible structures, from the cosmic and geologic to the ecological and political. She is a member of the platform New Mineral Collective.
Visage is an audiovisual piece that reinterprets the legend of the “Mysterious Peacock,” a mythical figure in the pop culture of Brazil's Northeast. Capable of flying at the speed of light, the bird becomes visible to those undergoing an advanced transition, whose perceptions of time deviate from the linear. As the peacock flies, it creates energy portals and triggers profound transmutations. In northeast Brazilian Portuguese, visage means ghost. Drawing inspiration from the popular Cordel literature tradition and in dialogue with the visionary works of Octavia E. Butler, this work of science fiction invites audiences on a spiritual odyssey through the fractures of time and space, suggesting that time travel is possible through the body itself.
Jonas Van and Juno B are a Brazilian artist duo working together since 2020. The focal point of their work is the practice of speculative fiction, blending poetic and scientific elements, seeking to construct interactions between human and non-human bodies and monstrous ancestries. From an anti-colonial and trans perspective, they create non-linear and dreamlike narratives, presented within immersive works. Their research materializes through sound, image, and poetic elements, establishing fictions beyond coloniality, proposing transmutation as a central axis.
3D: Roland Lauth
Final mix: Juliana R.
Video supported by Pro Helvetia
A Tumulted Space is a multimedia radio play in three acts, staged online and augmented through the website. It combines soundscapes and an immersive script to recount the harrowing experiences of two historical figures who withstood torture: twentieth-century anti-fascist partisan Irma Bandiera and seventeenth-century Baroque painter Artemisia Gentileschi. Figueroa uses her own voice to narrate the three acts, aligned through a sound work staged live for listeners at Bologna’s Arco del Meloncello, where Bandiera was executed by fascists in 1944 for not disclosing information about her comrades in the Italian resistance. The radio play blends Bandiera’s defiant silence with that of Gentileschi, who, while testifying against her rapist in a 1612 trial, had cords looped around her fingers and tightened—a technique of torture that marked her legitimacy, her body, and her legacy.
A score from partisan newspapers preserved in the Bologna archives has been adapted into the title melody for the radio play. As the acts unfold, dialogue, narration, and layered sound effects suggest distorted memory, emphasizing the sensorial aspects in recurring forms of resistance.
The second part of the work presents an AR-activated script in which 3D characters manifest as archetypes such as the amanuensis, slayer, and witness, reflecting the notion of a theater of history. Poorly scanned, pixelated script fragments, activated by AR, reveal disfigured texts and cryptic phrases, symbolizing the instability of historical memory and the struggle to surface hidden narratives. Rather than fully reconstruct the histories in question, the piece aims to preserve them as fractured echoes—warped, blurred, and resurrected.
The project’s mobile application is required to access the AR. Download the Tumulted app from the Appstore or Google Play.
Jazmina Figueroa is a Berlin-based writer. Her work appears in print, sound recordings, reading performances, staccato-esque written works, and other artistic and essayistic productions. Figueroa works with a critical and personal frame of reference to expanded media cultures, inner narratives shaped by technological developments, and the performative and affective capacity of media as a spectacle. She has a specific interest in the embodied, canonical, and socio-political underpinnings of these critical and personal frameworks.
Artist’s Statement*
*ifa fosters multi-perspectivity, freedom of speech and dialogue, and therefore offers a space for respectful exchanges of perspectives.
In Solidarity
A planet devoid of a featured artwork circulates on the Dead Futures subpage, a gesture of solidarity with artists facing censorship and persecution. It honors those who have withdrawn or refused to participate in ARE YOU FOR REAL Phase 2 in the current context around the ongoing wars, symbolizing the resistance born from oppression of dissent.
Privacy Policy
Note: This is a translation of the legally accurate and binding German original. In case of discrepancy, the German original shall prevail. Please see below for German version
Data privacy notice regarding the use of the website and online content provided by Institut für Auslandsbeziehungen e. V. (ifa)
Your data privacy is very important to ifa (Institut für Auslandsbeziehungen [institute for international cultural relations]). ifa collects, uses and stores your personal data exclusively in compliance with current regulations and data privacy laws. Please read the following information to make sure that you are fully informed as to how personal data is collected, processed and used on our websites.
1. Contact information of controller (party responsible for processing personal data)
Your data will be stored and processed in the name and on behalf of
ifa (Institut für Auslandsbeziehungen)
Charlottenplatz 17
70173 Stuttgart
Controller and Secretary General: Gitte Zschoch
You can contact our Data Protection Officer at the address above or via e-mail at datenschutzbeauftragter(at)ifa.de.
2. Data collection for system-internal and statistical purposes
When you access the ifa website, your Internet browser automatically transmits data to our web server for technical reasons. This includes information such as the date and time of access, URL of the referring web page, retrieved file, amount of data sent, browser type and version, operating system and your IP address. This data is stored separately from other data that you enter when using our website. This data does not make or contain reference to a specific person. This data is recorded to ensure system security, anonymously analyzed for statistical purposes and then deleted.
3. Collection and processing personal data
In addition to the scope outlined under point 2 above, personal data may also be provided and collected on our website as follows:
3.1 Using cookies to process data
Our website uses cookies, which serve to make our online presence more user-friendly, effective and safer, e.g. to remember your preferred display language.
Cookies are small text files that are stored on your computer system. Please note that some of these cookies are transferred from our server to your computer system.
These cookies remain on your computer system for a limited period (one year) and allow us to recognize your computer system at your next visit (persistent cookies). You can always block the use of cookies to the extent permitted by your browser.
3.2 Processing of data on the base of your consent
We have integrated services from YouTube on our website. Your data will only be transmitted to these providers if you have given your consent by clicking on the respective banner.
We would like to point out that by giving your consent, data will be transmitted to the respective provider and cookies will be set by the provider to enable tracking of your activities by the provider. These data are not processed by our site and we are not responsible for these processing procedures.
You will receive information about the way in which your data is processed by the service providers when you click on the link marked "here" on the consent banner.
3.3 Automated decision processes or profiling
We will not use your data for automated decision processes or profiling.
4. Data transmission
Your personal data will be passed on to third parties to the extent required to provide the services described below.
We shall only pass on your personal data to third parties for reasons outside of the above after first obtaining your consent unless we are under legal obligation to do so or in order to protect the rights, property and security of ifa.
4.1 Data processing by YouTube
Our website includes so-called embeddings of videos on YouTube. From our side only the connection to YouTube is enabled. YouTube is an offer from Google Inc. The purpose and scope of data collection and use by Google as well as your rights and setting options for protection as YouTube customer can be found in the data protection information of YouTube http://www.youtube.com/t/privacy.
Furthermore, we have designed the embedding of YouTube videos in such a way that a data transfer to YouTube only takes place when you confirm this by clicking on the video.
5. Legal basis for data processing
The legal basis according to which your data is processed results from your consent (according to Art. 6 para. 1 (a) GDPR) or from the context of protecting ifa’s legitimate interests (according to Art. 6 para. 1 (f) GDPR).
6. Links to other websites
Our website contains links to other websites. We have no influence on the compliance of operators of other websites with data protection regulations. We are responsible for our own content according to general law. Our content is not to be mistaken with linked content of other providers. We assume no responsibility for third-party content, which is provided via links for use, and do not adopt their content as our own.
Liability for illegal, inaccurate or incomplete content and, in particular, for damages resulting from the use or non-use of such information is the sole responsibility of the provider of the site to which links are provided.
7. Your rights to your personal data
According to the General Data Protection Regulation, you have the right to obtain information about your stored personal data free of charge and, if necessary, the right to correct, restrict or delete such data at any time. To the extent we are required to comply with legal storage obligations, we shall block your data from further processing so that your data can no longer be used for the purposes mentioned above.
You also have the right to request that we send you in electronic form any of your personal data stored by us. You can object to consenting that your data be stored or processed at any time. Should you choose to exercise this right, we will immediately delete your data that we have stored and block processing of any data that cannot be deleted due to legal requirements.
Please send us your request using the contact details below.
If you feel that ifa is not processing your data in compliance with current data protection laws, you have the right to appeal to a data protection supervisory authority of your choice.
8. Right of objection on a case-by-case basis
You have the right to object at any time to the processing of your personal data for reasons applicable to your personal situation on the basis of Art. 6 para. 1 (f) GDPR (data processing in legitimate interests pursued by the controller or by a third party); this shall also apply to profiling based on this provision pursuant to Art. 4 para. 4 GDPR. Should you file an objection, we will no longer process your personal data in such case unless we can prove compelling reasons worthy of protection for such processing that outweigh your interests, rights and freedoms or such processing serves to assert, exercise or defend legal claims.
9. Data security
We use technological and organizational measures to secure our website and other systems against the loss, destruction, access, modification and dissemination of your data by unauthorized persons. These measures are regularly reviewed and improved upon in line with the latest technological developments.
10. Further information and contact
Please contact us should you have any further questions about data privacy. If you have questions concern collection, processing or use of your personal data, if you would like more information or to request that we correct, restrict or delete your data or if you would like to revoke your consent, please contact:
Data Protection Officer datenschutzbeauftragte(at)ifa.de
Datenschutzerklärung für die Nutzung der Webseite und des Internetangebots des Instituts für Auslandsbeziehungen e. V. (ifa)
Der Schutz Ihrer Daten und die Wahrung Ihrer Privatsphäre ist dem ifa (Institut für Auslandsbeziehungen) ein großes Anliegen. Das ifa erhebt, verwendet und speichert Ihre personenbezogenen Daten ausschließlich im Rahmen der Bestimmungen der geltenden Datenschutzgesetze. Um zu gewährleisten, dass Sie in vollem Umfang über die Erhebung, Verarbeitung und Nutzung personenbezogener Daten auf unseren Websites informiert sind, lesen Sie bitte nachstehende Hinweise.
1. Verantwortlicher für die Verarbeitung personenbezogener Daten
Ihre Daten werden im Namen und Auftrag des
ifa (Institut für Auslandsbeziehungen)
Charlottenplatz 17
70173 Stuttgart
verarbeitet.
Verantwortliche und Generalsekretärin: Gitte Zschoch
Unseren Datenschutzbeauftragten können Sie über die oben angegebene postalische Adresse oder per E-Mail unter der Adresse datenschutzbeauftragter(at)ifa.de erreichen.
2. Datenerhebung zu systeminternen und statistischen Zwecken
Ihr Internet-Browser übermittelt beim Zugriff auf die ifa-Webseite aus technischen Gründen automatisch Daten an unseren Webserver. Es handelt sich dabei unter anderem um Datum und Uhrzeit des Zugriffs, URL der verweisenden Webseite, abgerufene Datei, Menge der gesendeten Daten, Browsertyp und -version, Betriebssystem sowie Ihre verwendete IP-Adresse. Diese Daten werden getrennt von anderen Daten, die Sie im Rahmen der Nutzung unseres Angebotes eingeben, gespeichert. Eine Zuordnung dieser Daten zu einer bestimmten Person findet nicht statt. Diese Daten werden zur Gewährleistung der Systemsicherheit protokolliert und zu statistischen Zwecken anonym ausgewertet und im Anschluss gelöscht.
3. Erhebung und Verarbeitung personenbezogener Daten
Über den im Punkt 2 genannten Umfang hinaus werden Ihre Daten auf unserer Website in folgender Weise verarbeitet:
3.1 Verarbeitung von Daten mit Hilfe von Cookies
Unsere Website nutzt so genannte „Cookies“, welche dazu dienen, unsere Internetpräsenz insgesamt nutzerfreundlicher, effektiver sowie sicherer zu machen – z.B., um sich Ihre bevorzugte Anzeigesprache zu merken.
Bei Cookies handelt es sich um kleine Textdateien, die auf Ihrem Computersystem abgelegt werden. Wir weisen Sie darauf hin, dass einige dieser Cookies von unserem Server auf Ihr Computersystem überspielt werden.
Diese Cookies verbleiben befristet (ein Jahr) auf Ihrem Computersystem und ermöglichen es uns, Ihr Computersystem bei Ihrem nächsten Besuch wiederzuerkennen (sog. dauerhafte Cookies). Selbstverständlich können Sie Cookies jederzeit ablehnen, sofern Ihr Browser dies zulässt.
3.2 Verarbeitung von Daten auf Basis Ihrer Einwilligung
Wir haben auf unserer Website Dienste ders Anbieters Youtube eingebunden. Eine Übermittlung Ihrer Daten an diese Anbieter erfolgt erst dann, wenn Sie durch Klicken auf das jeweilige Banner Ihre Einwilligung dazu gegeben haben.
Wir weisen Sie darauf hin, dass durch Ihre Einwilligung Daten an den jeweiligen Anbieter übermittelt sowie von deren Seite Cookies gesetzt werden, die eine Nachverfolgung Ihrer Aktivitäten (Tracking) durch die Anbieter ermöglichen. Diese Daten werden nicht von unserer Seite verarbeitet und wir sind nicht Verantwortliche für diese Verarbeitungsprozesse.
Auskunft darüber, in welcher Weise Ihre Daten von den Dienstanbietern verarbeitet werden, erhalten Sie jeweils dann, wenn Sie auf den mit „hier“ markierte Verlinkung auf dem Banner für die Einwilligung klicken.
3.3 Automatisierte Entscheidungsfindung oder Profilerstellung
Ihre Daten werden von uns nicht für die automatisierte Entscheidungsfindung oder eine Profilerstellung verwendet.
4. Übermittlung von Daten
Eine Weitergabe Ihrer personenbezogenen Daten an Dritte erfolgt, wenn dies zum Zwecke der Ausführung der im Folgenden beschriebenen Dienste erforderlich ist.
Eine darüber hinausgehende Weitergabe Ihrer personenbezogenen Daten an Dritte erfolgt nur mit Ihrer Zustimmung, es sei denn, dass eine gesetzliche Verpflichtung hierzu besteht oder zum Schutz der Rechte, des Eigentums und der Sicherheit des ifa.
4.1 Datenverarbeitung durch YouTube
Auf unserer Webseite sind sogenannte Einbettungen von Videos auf YouTube enthalten. Von unserer Seite wird nur die Verbindung zu YouTube ermöglicht. YouTube ist ein Angebot von Google Inc.. Zweck und Umfang der Datenerhebung und -nutzung durch Google sowie Ihre Rechte und Einstellungsmöglichkeiten zum Schutz als YouTube-Kunde entnehmen Sie bitte den Datenschutzhinweisen von YouTube http://www.youtube.com/t/privacy.
Weiterhin haben wir die Einbettung von YouTube-Videos so gestaltet, dass eine Datenübermittlung an YouTube erst dann stattfindet, wenn Sie dies mit einem Klick auf das Video bestätigen.
5. Rechtliche Grundlage für die Verarbeitung Ihrer Daten
Die Rechtmäßigkeit (Rechtsgrundlage) für die Verarbeitung Ihrer Daten ergibt sich durch Ihre Einwilligung (gem. Art. 6 Abs. 1 lit. a DS-GVO) bzw. aus der Wahrung der berechtigten Interessen des ifa (gem. Art. 6 Abs. 1 lit. f DS-GVO).
6. Links zu anderen Websites
Unsere Internet-Präsenz enthält Links zu anderen Websites. Wir haben keinen Einfluss darauf, dass die Betreiber anderer Websites die Datenschutzbestimmungen einhalten.
Wir sind als Anbieter für eigene Inhalte nach den allgemeinen Gesetzen verantwortlich. Von diesen eigenen Inhalten sind Links auf die von anderen Anbietern bereitgehaltenen Inhalte zu unterscheiden. Für fremde Inhalte, die über Links zur Nutzung bereitgestellt werden, übernehmen wir keine Verantwortung und machen uns deren Inhalt nicht zu Eigen.
Für illegale, fehlerhafte oder unvollständige Inhalte und insbesondere für Schäden, die aus der Nutzung oder Nichtnutzung solcherart dargebotener Informationen entstehen, haftet allein der Anbieter der Seite, auf welche verwiesen wurde.
7. Ihre Rechte an Ihren personenbezogenen Daten
Nach der Datenschutzgrundverordnung haben Sie jederzeit ein Recht auf unentgeltliche Auskunft über Ihre gespeicherten personenbezogenen Daten sowie ggf. ein Recht auf Berichtigung, Einschränkung oder Löschung dieser Daten. Sofern wir gesetzliche Aufbewahrungspflichten einhalten müssen, werden wir Ihre Daten für eine weitere Verarbeitung einschränken, so dass sie nicht mehr für die o.a. Zwecke verwendet werden können.
Sie haben weiterhin das Recht, Ihre bei uns gespeicherten personenbezogenen Daten in elektronischer Form zu erhalten.
Sie können der Einwilligung für die Speicherung und Verarbeitung Ihrer gespeicherten Daten jederzeit widersprechen. In diesem Fall werden wir die von Ihnen gespeicherten Daten umgehend löschen bzw. für die aufgrund gesetzlicher Vorgaben nicht löschbaren Daten die Verarbeitung einschränken.
Wenden Sie sich mit Ihrem Anliegen bitte an die u.a. Kontaktdaten.
Sollten Sie der Meinung sein, dass Ihre Daten ifa nicht gemäß den geltenden Datenschutzgesetzen verarbeitet werden, so haben Sie ein Beschwerderecht bei einer Aufsichtsbehörde für den Datenschutz Ihrer Wahl.
8. Einzelfallbezogenes Widerspruchsrecht
Sie haben das Recht, aus Gründen, die sich aus Ihrer besonderen Situation ergeben, jederzeit gegen die Verarbeitung Sie betreffender personenbezogener Daten, die aufgrund von Art. 6 Abs. 1 lit. f DS-GVO (Datenverarbeitung auf der Grundlage einer Interessenabwägung) erfolgt, Widerspruch einzulegen; dies gilt auch für ein auf diese Bestimmung gestütztes Profiling im Sinne von Art. 4 Abs. 4 DS-GVO. Legen Sie Widerspruch ein, werden wir Ihre personenbezogenen Daten nicht mehr verarbeiten, es sei denn, wir können zwingende schutzwürdige Gründe für die Verarbeitung nachweisen, die Ihre Interessen, Rechte und Freiheiten überwiegen, oder die Verarbeitung dient der Geltendmachung, Ausübung oder Verteidigung von Rechtsansprüchen.
9. Datensicherheit
Wir sichern unsere Website und sonstigen Systeme durch technische und organisatorische Maßnahmen gegen Verlust, Zerstörung, Zugriff, Veränderung oder Verbreitung Ihrer Daten durch unbefugte Personen. Diese Sicherheitsmaßnahmen werden entsprechend der technologischen Entwicklung fortlaufend verbessert.
10. Weitere Informationen und Kontakte
Wenn Sie weitere Fragen zum Thema Datenschutz haben, kontaktieren Sie uns bitte. Bei Fragen zur Erhebung, Verarbeitung oder Nutzung Ihrer personenbezogenen Daten, bei Auskünften, Berichtigung, Einschränkung oder Löschung von Daten sowie Widerruf erteilter Einwilligungen wenden Sie sich bitte an:
Liability for Content
Pursuant to sec. 7, 1, German Telemedia Act (Telemediengesetz TMG), ifa (Institut für Auslandsbeziehungen) is responsible under general legislation for its own content on this website. Pursuant to secs. 8-10 TMG, ifa is not under the obligation to monitor any third-party information that is transferred or stored or to investigate circumstances that are indicative of illegal activity. Any obligations under general legislation to remove or block the use of information shall remain hereby unaffected. However, liability regarding such matters shall only apply at such point in time when ifa is notified or becomes aware of a specific infringement. As soon as ifa becomes aware of such infringement, the relevant content will be removed immediately.
Liability for Links
Despite careful monitoring of content, ifa does not assume liability for the content of external links. The operators of any linked websites bear sole responsibility for the relevant content. All linked websites were reviewed for potential infringement before the link to that site was initially created. No illegal content was identified at the time of linking. ifa cannot be reasonably expected to monitor the content of linked websites on an ongoing basis without specific indication of legal infringement. As soon as ifa becomes aware of any such infringement, the relevant links will be removed immediately.
Legal Information on Copyright
The copyright for text content, photographs, graphic elements, and website layout as well as all other website content is held by ifa (Institut für Auslandsbeziehungen) and in some cases by third parties who are identified by their names. All rights are reserved. Any duplication, editing, dissemination, or any kind of use beyond the limits of copyright law shall require the written approval of the relevant author or creator. Text content, images, and graphic elements may be printed or downloaded for personal, private, or non-commercial use only. Any website content not created by the operator is presented in compliance with third-party copyright. All third-party content is marked as such. Please inform us should you become aware of any copyright infringements. As soon as ifa is notified of any such infringement, the relevant content will be removed immediately.
The Institut für Auslandsbeziehungen e.V. endeavours to make its website accessible in accordance with Section 10 (1) of the Federal Disability Equality Act (L-BGG). This declaration on accessibility applies to the domain https://ru4real.de.
Status of compatibility with the requirements
This website is not compatible with § 10 paragraph 1 L-BGG. The incompatibilities (and/or exceptions) are listed below.
Non-accessible content
The following content is not accessible because it is not compatible with the underlying harmonised standard EN 301 549:
The heading structure is not correct, as headings are skipped or missing.
Some images do not have an accessible name.
Some links have no link text.
The form fields do not have an accessible and comprehensible name.
At least one scrollable element is not accessible via the keyboard.
There may be problems with zooming.
No language is stored in the HTML source code.
The control elements for video and audio content on the page are not accessible via the keyboard.
Creation of this declaration on accessibility
This declaration was created on 07.08.2024. The declaration was created using the Eye-Able® technology of Web Inclusion GmbH. More information about Web Inclusion GmbH can be found at https://eye-able.com/. Web Inclusion GmbH has gone through all machine-verifiable test steps.
Feedback and contact details
Do you have a comment or a notification about barriers on this website? Please get in touch with us. We will explain which barriers exist. You can find out what exceptions we have made. We will answer your questions as quickly as possible, but at the latest within the statutory period of six weeks. Thank you for your feedback. You can contact us at the following address:
ifa - Institut für Auslandsbeziehungen e.V.
Charlottenplatz 17
70173
Stuttgart
info(at)ifa.de
+ 49 711 2225-0
Arbitration centre
If you are of the opinion that this website is not accessible, you can inform our office or person named in section 4.
If we do not respond or do not respond satisfactorily within four weeks of receiving your enquiry, you can contact the arbitration board of the Accessibility Centre (LZ-BARR). You can contact the arbitration centre as follows
Accessibility Centre: Arbitration Board
Else-Josenhans-Straße 6
70173
Stuttgart
schlichtung@barrierefreiheit.bwl.de
0711 123 39375
https://barrierefreiheit-bw.de/
The arbitration procedure is free of charge.
Reference is made to the possibility of the right of association action pursuant to Section 12 (1) sentence 1 no. 4 L-BGG.
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